You’ll probably learn good stuff from all of them, and then settle down with one for the long haul. The first person you choose may or may not be the right long-term fit for you, but there’s no rule against trying others. Google knows everybody who’s anybody and can be your friend when it comes to selecting a coach with a solid reputation. Reading the recommended books is a good way to gain enough insight to ask good questions, and to assess when someone doesn’t appear to be legitimate. There are also inferior coaches and crooks. Training is obviously the first step toward becoming a working voice actor, and there are many good coaches to guide you on your journey. Top coaches featured at That’s Voiceover! Career Expo: Chris McGinn, Shelly Shenoy, Dave Fennoy, Robin Armstrong, Anna Garduno, Joe Cipriano, and Pat Fraley. For starters, we recommend Secrets of Voice-over Success by Joan Baker, The Power of Voice by Denise Woods, and There’s Money Where Your Mouth Is by Elaine Clark. These books will give you enough insight to understand the characteristics of the craft and the business, therefore allowing you to assess people and resources to help you on your path. There are a dozen worthwhile books on voice acting. All that to say, don’t resist the tedium of doing your own research. You will have to condition your body, learn to climb, learn the gear, learn the safety protocols, and survival practices. Otherwise, you’re like someone standing at the bottom of Mount Everest, cupping their hands around their mouth, and screaming, “Can someone up there tell me where to get the sky lift to the top?” There is no sky lift. Instead, harness that energy for the long-haul. The enthusiasm is admirable but it’s important not to rush in and become discouraged. For the first-timer, the challenge is patience and humility. These bodies are made up of voiceover coaches, demo producers, talent agents, talent managers, casting directors, the SAG-AFTRA union, online casting sites, book publishers, various buyers, and a slew of categories in which the voice actor can be employed. Understanding the Universe of Voice Actingįrom the voice actor’s perspective, as the center of the universe, you will come to understand the celestial bodies surrounding you. Ultimately, the challenge becomes opening one’s self up to a whole new world of mastering your vocal instrument, tapping into your emotional vulnerability, and pursuing a level of excellence that sets you apart in an extraordinarily competitive industry. There’s a substantial investment of time and money, and there’s no guarantee that you will find success as you imagine it. This belief is far from the reality, and it often leads to skepticism as the newcomer is informed about the intricacies of training, auditioning, navigating the business, and continuing education. It’s rare to meet a voiceover newbie who doesn’t believe that because they have a standout voice, that breaking into voice acting will be a simple, low-impact endeavor requiring minimal time, minimal training (if any), and little financial investment. Voice actor Don Elliot with VO coach Joan Baker The Challenges of Breaking Into Voice Acting Audio engineer/producer Anthony Erice, voice actor Terri Nicole, and director Rudy Gaskinsĭecem– Society of Voice Arts and Sciences
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